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My friend: “I stepped into the heart of hipsterdom…” ME: “… and lived to tell the tale.” The show started at 8pm. The Cass McCombs trio played the first 45 minutes. The bass player (tall lanky guy in big curly hair/wig(?) and scale-studded jean jacket) looks incredibly like one of my coworkers (from look to mannerism – the way he walks around in bouncy steps). McComb looks like the poster child of hipsterhood: a white, medium-brim sun hat (have you noticed that the older generation – 50 and above – Japanese tourists love wearing that kind of hat?), and tight khakis cut short by calf-length red socks. His voice is the generic soft rock/indie kind but two songs really stood out. One is a fast aggressive wall of sound reminiscent of The Velvet Underground, while the other is jazzy with sparkling, cascading notes with a touch of Nick Drake. Mr. Bird stepped onto the stage at 9pm, in Beatles-esque suit and tie, his shimmering curly artist/emo hair
framing his face in the lights like a halo, and started to play a short and mellow song I don’t recognize. Immediately following that he took off his shoes, cast them aside, and moved on to Nervous Tic…. – people screamed (in excitement) when that happened. He played mostly new songs from the upcoming (March) album, but did satisfy the audience with the classics (other than Tic, also Measuring Cups, Skin, and Capital I). In between he sometimes had a monologue (half poetry reciting half self-conscious mumbling) and broke into half singing in the middle, or he would be murmuring something and because he seemed so shy that at one point some audience gave him a hard time by shouting something embarrassing. He just ignored them and moved on. Oh yeah, he also said that he “loved Portland and dreamed about working here.” I was like, yeah, I bet you say that to all the cities on your tour
At one point, when he was talking, a baby cried. There was an awkward silence. He paused for one second, then said: “I guess this show *IS* for All Ages.” Love that understated sense of humor and quick wit
During encore he played Fake Palindromes and one other song. He is definitely one of the few artists that actually sound better live. His voice is incredible: powerful, velvety, soaring, almost operatic. The arrangement is dazzling and richly layered. Everything comes together seamlessly, esp. the actual playing and the pre-recording – you can’t tell where one ends and the other starts if you close your eyes – I still can’t figure out how he does it. The various sounds of the violin is simply magical and sublime. The whistling brings a sense of playfulness and wistfulness. His body language is both quirky and endearing (he is 100% emo!) – he will twitch his head from time to time and I don’t know if it was an actual “tic” (not likely) or a deliberate move to match the song/mood of the show (more likely). The whole show is like a hipster congregation. My friend and I felt so out of place – me especially. We looked around (Aladdin Theater is small and thus feels intimate, with interesting decor, but it doesn’t have the best sound system/effect) and saw only one other non “skinny White person with ironic T-shirt and pants with the right leg rolled up (therefore bike grease-proof)” – an Indian guy. I joked that he and I were the token minorities.
